애플 M1에 RME 베이비 페이스 프로 오디오 인터페이스 드라이버 설치하는 법
아직 M1에 대해 모르는 게 많아 매일매일 새로운 것을 터득하는 요즘입니다. 기존 사용하던 맥북 2015에서는 설치 과정이 간단했으나 M1은 보안이 한층 강화된 느낌이네요. 애플의 철벽 보안을 뚫어야 설치가 가능한 것들이 있습니다. 앱스토어를 이용하지 않았기 때문일까요?
제가 사용하고 있는 아름이 베이비페이 (RME Babyface pro FS)입니다. 아는 언니 이름 따라 부르고 있습니다.
RME Babyface Pro FS
제 맥미니에 연결하니 베이비페이스 전원은 켜지지만 드라이버 인식을 못하고 있습니다. 지금부터 오디오인터페이스 인식을 시켜보겠습니다.
1. 가지고 있는 M1기기(아이맥,맥북 등)의 시스템을 완전히 종료합니다.
2. 기기의 전원버튼을 아래 화면이 나올 때까지 충분히 오래 눌러 리커버리 모드로 들어갑니다.
리커버리 모드 옵션
3. 리커버리 모드의 옵션 버튼을 누른 뒤 맥의 비밀번호가 필요한 경우 입력합니다. 잠시간 로딩이 필요할 수 있습니다.
4. 왼쪽 상단에 메뉴가 생겼습니다. 시동 보안 유틸리티로 들어갑니다.
시동 보안 유틸리티
5. 시동 보안 유틸리티 창의 보안 정책 버튼을 누릅니다.
보안 정책
6. 아래 사진처럼 보안 정책을 완전 보안에서 부분 보안으로 바꾸고 확인된 ~ 사용자 관리 허용 에 체크 하고 확인 버튼을 누릅니다.
부분 보안
7. 이제 다시 왼쪽 상단 메뉴에서 재부팅을 시켜주면 설치할 준비가 모두 끝났습니다.
8. RME 베이비 페이스 프로 드라이버를 설치합니다.
9. 독에서 톱니바퀴 모양의 시스템 환경설정을 열고 보안 및 개인정보보호 를 클릭합니다.
보안 및 개인정보 보호
10. 하단의 자물쇠를 풀고 차단된 RME 베이비페이스의 설치를 허용하면 모든 설치가 끝납니다. 자물쇠는 다시 잠가주세요.
RME 베이비페이스 설치 차단 허용
꽤 긴 여정이었죠? 이렇게 해주고 나니 드디어 RME 베이비 페이스 프로 오디오 인터페이스 연결이 제대로 되었네요.
The RME Babyface Pro FS includes a premium plug-in bundle that’s sure to jumpstart your creativity. Scuffham’s S-Gear is a top-shelf, ultra-flexible guitar amp simulator that was created by a former product designer from a certain legendary British amplifier company. Brainworx bx_opto yields classic optical-style compression with a streamlined interface, while bx_masterdesk reproduces the sound of a high-end analog mastering system. You also get trial versions of Pianoteq 6 by Modartt and the Blue 3 Organ by GG Audio, along with a 14-day, full version of Gig Performer. You also get a 3-month subscription to Antares Autotune Unlimited. This USB-C-compatible audio interface includes USB-2 and USB-C cables.
The Babyface Pro FS comes loaded with RME’s TotalMix FX engine. This dual-DSP system uses one DSP chip for monitor mixing, leaving the other free for latency-free effects and processing. The routing side of TotalMix FX gives you a fully flexible 288-channel mixer with 46-bit internal resolution. Each of the Babyface Pro FS’s channels features a 3-band EQ, low-cut filter, reverb, and echo. That means you can track with the effects and processing you need, without ever having to worry about latency or your computer’s processing power.
On top of its updated SteadyClock FS circuit, the Babyface Pro FS includes a bevy of other improvements over its predecessor. Its microphone preamps boast an improved signal-to-noise ratio, from 112.2dB to 113.7dB, while the line/instrument inputs went from 114dB to 116.3dB. The line inputs’ THD was improved by 8dB. The Babyface Pro FS employs the same high-quality output op-amps as the ADI-2 Pro. Its 3.5mm headphones output power was increased from 70mW to 90mW, and the THD of both headphones outputs has been improved by up to 10dB. Plus, the 3.5mm output’s impedance was lowered from 2 ohms to 0.1 ohms. A +19/+4dBu switch reduces the interface’s output level, improving its signal-to-noise ratio for sensitive active monitors, avoiding overloads and distortion, and enabling you to keep TotalMix FX’s faders near 0dB instead of at high attenuations. You also get six samples less latency on the A/D side. And all of these improvements were achieved without raising the audio interface’s power consumption!
Boasting the same SteadyClock FS circuit as RME’s reference-quality ADI-2 Pro AD/DA converter, the Babyface Pro FS takes self-jitter to new lows, eclipsing its predecessor’s already impressive performance with an upgraded analog PLL circuit and referencing both Direct Digital Synthesis and PLL to a low-phase-noise quartz crystal. In fact, the Babyface Pro FS’s self-jitter reaches levels that are usually only available in master quartz clock mode, even while running in PLL mode. Thanks to this updated circuit, the Babyface Pro FS reaches jitter specs as low as a femtosecond. Just to put it in perspective, that’s 1/1,000,000,000,000,000 of a second!
The sheer power and flexibility of the Babyface Pro FS are pretty remarkable when you lay your eyes on it. Its low-profile aluminum casing has a great clean look but still offers deep control over levels, sub-mixes, and gain structures. There are two reference-quality digitally controlled mic preamps, two balanced line outputs, line/instrument inputs, ADAT/SPDIF I/O, a MIDI port, and two headphone outputs. You also get onboard metering with peak and RMS calculation. Best of all, the Babyface Pro FS achieves all of this while staying very straightforward and looking great on your desk. We’re impressed by the Babyface Pro FS here at Sweetwater — it packs a lot of power into a sleek desktop interface.
The RME Babyface Pro FS is a powerful, yet eminently portable, bus-powered USB audio interface. It features a rugged, low-profile housing with a clean look and easy-to-use interface. Benefit from reference-quality recording, thanks to two digitally controlled microphone preamps, while ample analog, digital, and MIDI connectivity makes integration with your studio easy. The Babyface Pro FS employs the same SteadyClock FS circuit as RME’s reference-quality ADI-2 Pro AD/DA converter, ensuring ultra-stable clocking, while a bevy of design improvements offers a huge performance boost over its predecessor. Enjoy a fully flexible 288-channel mixer with 46-bit internal resolution, courtesy of RME’s TotalMix FX engine, along with latency-free processing, including a 3-band EQ, low-cut filter, reverb, and echo. Clear-cut onboard metering rounds out this state-of-the-art audio interface’s impressive features. The RME Babyface Pro FS is USB-C compatible and comes with a premium plug-in bundle, plus USB-2 and USB-C cables.
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